Last spring, I
blogged about the exhibition of movie costumes for ”The
Girl King” (Tyttökuningas), a movie about Queen Kristina (1626 –
1689) by Mika Kaurismäki. Now that I’ve actually seen the film, I
thought I’d write a few words about it. You can also read my husband's review over at Wolfwood's Corner.
As I’ve mentioned
before, I’ve always been interested in the 17th century, mostly
because, growing up, I was an avid fan of The Three Musketeers. Queen
Kristina, in turn, is a fascinating historical figure: a queen of
Sweden who was brought up as a prince (her
hobbies included
hunting and swordplay).
She was fiercely
intelligent, interested in arts and philosophy and led an
unconventional life - sexually, politically, etc: her short reign ended when she
abdicated
her throne and converted into Catholicism
(catholics were her father’s old enemies, so to speak).
I entered the theater
hoping
to see a swashbucklerish
historical adventure with a bit of romance (pretty much my
favourite type of movie... even better if you can throw in literature/books
there somewhere).
Did I get what I
wanted? Let’s see.
History
Mostly yes. I’d
say the attention to historical detail – setting, costumes, props –
was fantastic, considering that this was a (mostly) Finnish film
(”mostly”, because it’s actually a
Finnish-Swedish-German-French-Canadian collaboration) and thus the
budget must be about a fraction of Hollywood blockbusters. The swords
received some criticism from my DH, but other than that, things looked great. I particularly
admired the lush and luminous costumes, which, to me, seemed authentic enough, apart
from a couple of exceptions. (For a more detailed analysis of the
costumes, I recommend this article by Frock Flicks.) Other limitations
of the budget showed in Turku doubling as Stockholm (I recognised
many of the locations, including castle rooms, and kept forgetting we
were not supposed to be in Turku) and in less than impressive crowd
scenes (for example, the queen’s coronation feast). But these were
minor details and did not bother me.
Since the film was
about Kristina (Malin Buska), she was clearly the main character. It’s a nice introduction to someone
who knows nothing or very little about her, but those wishing to
learn more might be a little disappointed. I’d have loved to see
more about Kristina as an actual ruler – making decisions concerning her
kingdom, struggling with challenges that a young woman inheriting the
throne inevitably must have faced (yes, they went on and on about her
need to marry, and that must have been a big concern, but surely
there were others?). In addition, the end, her decision to give up
her throne, remained a little... under explored? However, Kristina
was and remains an enigmatic figure; much of what we ”know” about
her is pure speculation, guesswork, rumours... and thus a film can
only be an interpretation and cannot possibly explain everything.
Swashbuckling
Disappointingly
little. Kristina did wear her sword in several scenes, but there was
(as I recall) but one where she actually used it. Very little fencing
was demonstrated by other characters as well. Then again, it was a
court setting; people could hardly be swashbuckling their way around
the castle.
Adventure
Very litte. Mostly
just court intrigue. But there was a murder plot or two! However, if,
like me, you’d find a 17th century autopsy to demonstrate the
location of the pineal gland and theories about its function
fascinating, then, well, you’re in for a treat.
Romance
Plenty. As I
mentioned already, I’d have loved to see more about Kristina as a
queen. But rather than her as a ruler, the movie focused on her love
life – her persistence on solving the mystery of love (interesting, and nicely connected to not only her love life but her relationship with her parents), the demands
made on her to marry and her love affair with her lady-in-waiting,
Countess Ebba Sparre (Sarah Gadon). Well. I love a good love story,
and I love the relationship stuff, and there definitely was plenty of
it here. I
particularly loved the fact that even though it was the good old
”even a queen (or particularly a queen) can’t have whomever she
wants” theme, the romance was shown to be not only passionate but
also very sweet.
And a bonus!
Books and
literature!!! Kristina was a very well educated woman with a thirst
for knowledge, and, it seems, a fervent book collector! There was some philosophising (always a nice thing in a
movie), letter writing scenes with quills and ink bottles (oooooh,
sexy!) and huge, huge piles of beautiful manuscripts! When you’re a
queen, you can fill your castle with books... and have sex on top of
the Codex Gigas (the Devil’s Bible). Sigh. Life is so unfair.
Overall? I had no
idea what to truly expect from this movie. I sincerely hoped
it would be good – one of my favourite periods; a controversial, sword wielding
queen; my favourite genre... I’m happy to say that despite a
few flaws, some scenes that seemed irrelevant to the plot and a couple of clumsy(/-ily
delivered) lines of dialogue, I found the movie very entertaining
(almost forgot to eat all my chocolate!).
Tämä elokuva pitää nähdä ja kokea!
ReplyDeleteKyllä kannattaa. Aivan upeaa, että Suomessa (vaikka olikin yhteistyöprojekti) tehdään jotain tällaista! Toivottavasti näitä tulee lisää. :)
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